You always ought to be wary of any point of view you consume at length where you find yourself agreeing with it completely, where it anticipates every question that pops in your head and answers it, to the point that at the end you can identify no daylight between your thoughts and its own.
The effect is something like riding to the airport after you’ve doublechecked everything you meant to pack and finding it was actually all already there. There’s no rational reason for you to be unsettled rather than comforted, but somehow you are.
Mike Lux has a written just such a book: How to Democrat in the Age of Trump, and it’s worthy of being recommended to anyone on the Left trying to find a way forward.
Continue reading “BOOK REVIEW: “How to Democrat in the Age of Trump” by Mike Lux is a suspiciously good read”
Given her media blitz leading up to the release of her 2016 campaign memoir Hacks, Donna Brazile’s recollection of what it was like to be on the receiving end of the Russian cyberattack against the Democratic National Committee was far more enlightening than I’d had any expectation.
That’s because, ahead of the Virginia state elections in November 2017, Brazile’s press interviews and excerpts tended to be internecine and conspiratorial, focusing on how the Hillary Clinton campaign had unethically bought the DNC at “Bernie’s” expense, or how Hillary didn’t call Brazile for a while after she lost the Electoral College, or how staffer Seth Rich’s murderer still needed to be found.
Now, this is not what most of the book, subtitled The Inside Story of the Break-ins and Breakdowns That Put Donald Trump in the White House, turns out to be about, but the strategy was successful. It reached No. 5 on the New York Times bestseller list, sold out on Amazon, then was subsequently completely forgotten.
The modern political memoir and tell-all has become the publishing equivalent of Hollywood’s superhero and sci-fi franchise films.
Continue reading “BOOK REVIEW: The airing of grievances in Donna Brazile’s “Hacks” comes at her true crime memoir’s expense”